Most Popular
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The Hard Lie
How former Ticket host Greg Williams destroyed the most dynamic duo in Dallas talk radio through drugs, deceit and disaffection
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American Girls
Crossing between American and Egyptian cultures, he Said girls made one deadly misstep: They fell in love
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The Dirt Doctor
How radio show host Howard Garrett pushed Dallas to the center of the organic gardening movement through passion, principle and molasses
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Bless Us, Oh Lard
Damn fajitas and health-conscious eaters. They're killing traditional Tex-Mex.
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Our 20th Music Awards
1988-2008: Two Decades of DOMA
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Park City
Wanna go see a show around town? Fine, but you'll get a ticket in Deep Ellum. Maybe towed on Lower Greenville...
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Clubbed Over
Big changes are in store for Club Dada thanks to new ownership and a re-energized booking philosophy
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Big Willie Style
Willie Nelson doesn't have to continue performing—which makes his insistence to keep doing so all the more remarkable
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Bringing Sachse Back
21-year-old Dondria Nicole's on the verge of a major-label push as we prepare for the Observer's 20th Music Awards issue
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Blood, Sweat & Tears
The Red Blood Club's doors are closing—and Dallas' hardcore scene is all but dying with it
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Recent Articles
Recent Articles by Darryl Smyers
Believe it or not, The New Frontiers is a local act. Well, for now.
The Secret Machines return to Dallas minus a Curtis brother—but still with plenty of confidence, nonetheless
I Know Your Voice (YMA)
Saturday, August 2, House of Blues
1988-2008: Two Decades of DOMA
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1100 Springs, Two Tons of Steel, Tejas Brothers
Friday, January 11, at The Granada
Published on January 10, 2008
It would be hard to fathom a better collection of roots performers than this trio of acts from across the state. Fort Worth's Tejas Brothers have been around a year or so, but their greasy mix of country, soul and Tejano is just now attracting the kudos it so richly deserves. Songs such as "Love Me or Leave Me" and "Doing a Real Good Job" are reminiscent of the late, great Doug Sahm as frontman Chris Zalez leads this fine quartet into all corners of Americana. San Antonio's Two Tons of Steel has been described as equal parts Elvis Costello and Elvis Presley with a dose of Buddy Holly thrown in, and such a depiction is fairly accurate. Vegas, the band's robust 2005 debut, featured a hayseed deconstruction of the Ramones' "I Want to be Sedated" that worked because of the band's irreverent refusal to kowtow to anyone's preconceived notion of what is and isn't country. Matt Hillyer has been a fixture on the Dallas music scene for going on two decades and 1100 Springs just seems to get better and better with age. Expect a new CD in the very near future, and in the meantime, catch Hillyer and crew headlining this fantastic bill of what Steve Earle correctly calls "real music."